Dorian Carver (
somepartsbroken) wrote in
outofshadows2014-01-14 10:50 am
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Entry tags:
The TOS Phone Hell Meme

#1: Texts From Last Night
#2: Damn you, Autocorrect
#3: Recipient Misfire
#4: Mix & Match
#5: Wildcard
Option One:
Texts From Last Night
You know the drill: RNG, or pick one that tickles your fancy. Post blank and let others text you about their night, or send out a mass text for anyone to reply to by posting a TFLN when you tag the post.
Option Two:
Damn You Autocorrect
We've all done it. Either sit and wait for other people's mistakes to come to you with a blank tag, or take the bull by the horns and make the first move mistake by posting an autocorrect error when you tag the post.
Option Three:
Recipient Misfire
It's just so easy to hit the wrong name in your phone, isn't it? Embarrassment city! ...But is that better or worse than manually inputting the number incorrectly and texting a complete stranger by mistake?
Option Four:
Mix & Match!
Let autocorrect fuck up the TFLN you're sending to the wrong person. Go nuts!
Option Five:
Do Whatever The Fuck You Want
You know what, if none of these ideas are good enough for you, your ass can come up with something else. I don't even care.
[I stole this shit from Bakerstreet; Pretend the communicator somehow does text. I dont know.]
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And typically not the first thing one suggests doing.]
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You're right, I need a drink for this.
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Moving to action!
[Maybe it isn't the wisest of decisions, but if nothing else, Maria is clearly intoxicated enough that leaving her to her own devices would be a worse decision. It isn't so great a trip to her room, and despite his hesitation, what man denies a beautiful young woman his company if it's requested?
He's at her door shortly.]
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When she sees him she ducks halfway behind her side of the door, where her fingers wrap around the edge, a smile teasing along her mouth -- her cheeks are rosy from the alcohol and she's decidedly more free in her movements and expressions from it. a schoolgirl, again. ]
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Ms. Carbonell.
[Though he supposes they're on a first name basis, all things considered.]
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[This is unsteady ground. She's been drinking and she isn't entirely herself...but he can't help but note how lovely she looks, in her robe and with her hair unbound.]
You implied my company would be welcome, after all.
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[ But she steps aside and opens the door for him. Aside from the robe, which she hasn't tied closed, she's only in a thin baby blue nightgown with a cut low enough to show the iron-forged cross necklace she always wears; the ends of it and the robe flutter around her ankles as she moves. ]
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[He enters with another clearing of his throat, trying not let his eyes linger. He's only a man, after all, and Maria's sleepwear is a good deal more revealing than what he's used to seeing her wear.]
Something about a drink?
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[ She waves a self-manicured hand over to the low-risen table before the sofa she's set up at; there, an empty wineglass sits on one corner and another with a stained rim from repeated use is on the opposite. Between them is the wine: red, an old year, expensive. A taste developed from years past.
Once the door shuts behind her she sort of just falls back against it, effectively shutting him in with her, unstable on her feet, and she twists a curl of hair around her finger while watching him. ]
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[He takes a seat on the sofa and looks up at her, pouring himself a glass of wine. He hasn't had wine in a very long time, preferring to drink hard liquor on his own. He notes her leaning against the door and wonders if it's lightheadedness or coquetry.]
Perhaps you'd like to sit down.
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His hands go to her waist immediately, out of habit and to help steady her. Her lips are warm and soft and sweet and it is with great reluctance that Rush turns his head away.]
Are you certain this is a good idea?
[Because by now it's foolish to try and protest he doesn't want her to kiss him.]
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Suddenly she tilts over, but her fingers clench into his shoulder and she crawls onto the sofa beside him instead, hands and knees first. On her knees facing the couch's back, the robe trailing to the floor, she snuggles her face into the nook of his shoulder and neck, a hand on his chest, whispering, ] It's you. It's you, [ and then after a pause she whispers the lyrics to the song against his neck in time with Ella's voice, ] That same old tingle that I feeeel inside...
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[His arms go around her and he holds her, cheek against the soft cascade of her hair. He doesn't understand. He's never understood. He can't claim this is the first young woman who has both sought his company and improved it with her own. He can't claim he doesn't have any romantic interest in Maria, either, but he ignores it. Because as before, he's assumed he's too old, too broken, too miserable. And she's from a different time, she has a future, there are so many reasons he shouldn't be here with her right now.
But she makes him happy. He understands what she means. There have been very few true bright lights in the darkness after Gloria, and he was certain they had all passed him by at this point. But here was Maria, in his arms, and it felt painfully right to sit here with her in his arms, listening to Ella Fitzgerald and breathing her scent.]
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He could put her to bed, he knows, but he'd rather stay where he is.]
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